Partitions Numériques de All I Ask Of You pour Voix duo, Piano

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All I Ask Of You
Non classifié 260

Piano & claviers
Piano seul 109
Piano, Voix et Guitare 42
Piano, Voix 31
Piano Facile 20
2 Pianos, 4 mains 18

Instruments en Do 17
Piano grosses notes 4
1 Piano, 4 mains 4
Orgue 3
Accompagnement Piano 2
Piano Quintette: piano, 2 violons, alto, violoncelle 1
Piano Quatuor: piano, 2 violons, violoncelle 1
Piano Trio: piano, violon, violoncelle 1

+ 8 instrumentations

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Guitares
Ligne De Mélodie, (Paroles) et Accords 16
Guitare 13
Guitare notes et tablatures 12
Ukulele 8
Paroles et Accords 4

Basse electrique 2
4 Guitares (Quatuor) 1
3 Guitares (trio) 1
Mandoline 1

+ 4 instrumentations

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Voix
Chorale SATB 38
Chorale 2 parties 10
Chorale 3 parties 8
Voix duo, Piano 3

Chorale Unison 3

Voix duo 2
Chorale SSAA 2
Chorale 2
Chorale TTBB 2
Voix Soprano, Piano 2
Voix seule 1
Voix Alto, Piano 1
Voix Tenor 1

+ 8 instrumentations

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Vents
Quintette de Saxophone: 5 saxophones 12
Ensemble de saxophones 11
Flûte traversière et Piano 9
Ensemble de Clarinettes 7
Clarinette et Piano 6

Ensemble de Flûtes 6
Flûte traversière 6
Quatuor de Saxophones: 4 saxophones 6
Flûte, Hautbois, Clarinette, Basson 5
Saxophone Alto et Piano 3
Hautbois, Piano (duo) 3
Saxophone Alto 3
Quatuor de Clarinettes: 4 clarinettes 3
Clarinette 3
Saxophone Tenor et Piano 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Saxophone (partie séparée) 3
2 Clarinettes (duo) 2
Quatuor de Flûtes : 4 flûtes 2
Quintette de Flûte : 5 flûtes 2
Flûte, Violon, Piano 2
Saxophone Baryton, Piano 1
2 Flûtes traversières (duo) 1
Cor anglais, Piano 1
Clarinette, Violoncelle (duo) 1
Quintette de Clarinettes: 5 clarinettes 1
Clarinette Basse, Piano 1
Saxophone et Orgue 1
Clarinette, Basson (duo) 1
Saxophone Soprano et Piano 1
Flûte, Clarinette (duo) 1
Saxophone Tenor 1
2 Flûtes traversières, Piano 1

+ 28 instrumentations

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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 16
Ensemble de Trombones 6
Trombone 6
Quatuor de Cuivres: 2 trompettes, Cor, trombone 5
Ensemble de Trompettes 4

Quatuor de Cuivres : 2 trompettes, trombone, tuba 4
Trompette, Piano 4
Trombone et Piano 4
Cor et Piano 3
Ensemble de Cors 3
Trompette 3
Cor 3
Quatuor de Cuivres 2
Tuba et Piano 2
2 Trombones (duo) 1
Euphonium, Tuba (duo) 1
Cor anglais, Piano 1
2 Tubas (duo) 1
Quatuor de cuivres: 4 trombones 1
2 Trompettes (duo) 1
2 Cors (duo) 1
Euphonium, Piano (duo) 1
Trompette (partie séparée) 1

+ 18 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 12
Harpe 10
Violon 10
Violon, Violoncelle (duo) 9
Violon et Piano 8

2 Violons (duo) 7
Violoncelle, Contrebasse (duo) 6
Violoncelle, Piano 5
2 Altos (duo) 5
2 Violoncelles (duo) 4
2 Contrebasses (duo) 4
Violoncelle 4
Trio à Cordes: violon, alto, violoncelle 4
Violon, Alto (duo) 4
Alto, Piano 3
Alto, Violoncelle (duo) 3
Alto seul 3
Violoncelle (partie séparée) 2
4 Violoncelles 2
Ensemble d'Altos 2
Quintette à cordes: 2 violons, 2 altos, violoncelle 2
Ensemble de Violons 2
Trio à cordes 1
Quintette à cordes: 2 violons, alto, violoncelle, basse 1
Violoncelle , Guitare (duo) 1
Alto (partie séparée) 1
Quatuor à cordes: 4 violons 1
Quatuor à cordes : 4 altos 1
Harpe, Violoncelle (duo) 1
Trio à Cordes: 2 violons, violoncelle 1

+ 25 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 23
Orchestre 15
Ensemble Jazz 7
Orchestre à Cordes 6
Fanfare 3

Ensemble de cuivres 3
Orchestre de chambre 2
Jazz combo 2

+ 3 instrumentations

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Vous avez sélectionné:

All I Ask Of You

Voix duo, Piano

Partitions à imprimer

3 partitions trouvées

All That I Ask Of You Is Love (A Wedding Duet for Soprano & Tenor Voice)

All That I Ask Of You Is Love (A Wedding Duet for Soprano & Tenor Voice) #Voix duo, Piano #FACILE #Edgar Seldon #Joanna Mills #All That I Ask Of You Is Love #Joanna Mills Music #SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.781335 Composed by Edgar Seldon (Lyrics) and Herbert Ingraham (Melody). Arranged by Joanna Mills. Holid...(+)

Piano,Voice Duet Piano,Voice - Level 2 - SKU: A0.781335 Composed by Edgar Seldon (Lyrics) and Herbert Ingraham (Melody). Arranged by Joanna Mills. Holiday,Jazz,Traditional,Wedding. 9 pages. Joanna Mills Music #4607995. Published by Joanna Mills Music (A0.781335). This tender vintage love song from 1910 is updated for the modern singer, but still retains the slightly jazzy ballad feel of the times. Arranged as a duet for Soprano (E4-E5) and Tenor (E3-G#4) and piano accompanist; approximate performance time is 3:20. Perfect for weddings, engagements, or concerts and recitals.

$7.99 ≈ 7.46€

Hänsel und Gretel

Hänsel und Gretel #Voix duo, Piano #INTERMÉDIAIRE #the way, the âcock-a-dood #Engelbert Humperdinck #Hänsel und Gretel #Schott Music - Digital #SheetMusicPlus

2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel vers...(+)

2 voices and piano - intermediate - SKU: S9.Q47807 Das Liederspiel. Composed by Engelbert Humperdinck. This edition: single sheet. Singspiel version - fairy tale - Brothers Grimm - folk song - piano reduction - Hansel - Gretel - witch. Downloadable, Separate edition. Duration 55 minutes. Schott Music - Digital #Q47807. Published by Schott Music - Digital (S9.Q47807). German.When Engelbert Humperdinck’s fairy tale opera Hänsel und Gretel was premiered on 23 December 1893 in Weimar conducted by Richard Strauss, the work could look back on an extensive history of origin.Humperdinck’s younger sister Adelheid Wette (born in 1858) had displayed a great interest in literature in her youth and written a variety of poems for special occasions. In 1888, she wrote a fairy tale entitled Schneewittchen [Snow White] and her brother supplied some songs for this piece. Further fairy tale collaborations followed which were customarily performed within the family circle, and the first draft of the Hänsel und Gretel was begun in 1890. Adelheid’s husband would be celebrating his 34th birthday on 16 May of this year and his wife intended to surprise him with a performance of her version of this fairy tale. Her brother was allotted the task of composing the accompanying songs and, a month before the birthday, she wrote a letter to him in Mainz where Engelbert Humperdinck was among other activities working as an editor for the Schott publishing house, ordering a “very pretty folkloric” Tanzlied [Dance song], a Waldlied [Forest song] (or Echolied [Echo song]), a Schlummerlied [Lullaby] and a Kickericki-Lied [Cock-a-doodle-doo song] from her “dear sugar-sweet little brother... Engel-Bärtchen [angel beard]”. She enclosed the corresponding verses with the letter and “for fun” also provided her own invented melody for the Schlummerlied and rhythmic suggestions for the Tanzlied. Humperdinck went straight to work and, as related in an entry in his diary, was already able to play the songs to the director of the publishing house, Dr Ludwig Strecker, by 19 April.This was the history of origin of the four songs published for the first time edited in form of their original versions in this edition Brüderchen komm’ tanz’ mit mir, Wer ruft mir im Walde doch alles nach, In den Zweigen die Vögelein und Tirelireli! ‘s ist nicht mehr früh “for two children’s voices and piano accompaniment” (see manuscript1). In his reply letter to his sister in which the fair copy of the songs were enclosed, Humperdinck wrote: “As you see, the pitch of the melodies is not too high and I have incorporated your melodies. Let me know soon whether you like the little songs. By the way, the ‘cock-a-doodle-doo’ can also be sung on one note(E flat) instead of on the four notes of the chord.”The first performance of the song-play was held as planned within the family circle with Wettes’ two eldest daughters in the two principle roles. Spurred on by the success of the family performance, initial plans were forged to adapt the song-play into a singspiel with numerous musical numbers and rhymed dialogues; Hermann Wette participated in a draft of the text. The particell of this singspiel had been completed by Christmas 1890. Hugo Wolf and a few others however advised the composer to extend the singspiel into a through-composed fairy tale opera. Humperdinck followed this advice and worked on what he ironically termed as a “Kinderstubenweihfestspiel“ [sacred festive play for the nursery] during the next two summers in Bayreuth. Tanzliedchen [Dance song] and Morgenweckruf [Cock-a-doodle-doo song] were eventually included in the opera in a modified form.Bevor Engelbert Humperdincks Märchenoper Hänsel und Gretel zum Welterfolg wurde, hatte das Werk bereits eine vielschichtige Entstehungsgeschichte hinter sich. Humperdincks Schwester Adelheid Wette schrieb 1890 ein gereimtes Märchenspiel gleichen Namens, welches sie gemeinsam mit ihren Töchtern im Familienkreis aufführte. Ihr Bruder hatte die entsprechenden vier Lieder dazu beigesteuert. Während Brüderchen, komm tanz mit mir und Tirelireli in veränderter Form auch in die spätere Märchenoper eingingen, existieren das Schlummerliedchen und das Echo im Walde exklusiv in dieser Urfassung von Humperdincks Hänsel und Gretel. Diese Ausgabe umfasst Humperdincks vier ursprüngliche Lieder, die in dieser Fassung erstmals in editierter Form veröffentlicht werden, ebenso wie den vollständigen Text von Adelheid Wettes Liederspiel aus dem Jahr 1890.

$25.99 ≈ 24.26€

Believe in Yourself PVG

Believe in Yourself PVG #Voix duo, Piano #INTERMÉDIAIRE/AVANCÉ #the time I sat down I had deci #Steven H #Ashley Ivers #Believe in Yourself PVG #Boothe Publishing #SheetMusicPlus

Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishin...(+)

Piano,Voice Duet Piano,Voice - Level 4 - SKU: A0.983992 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. 9 pages. Boothe Publishing #4360819. Published by Boothe Publishing (A0.983992). I was asked to sing a solo in church when I was 9 or 10 years old, and boy was I prepared to do it. I had practiced it until it was perfect. I walked right up to that pulpit at church, nodded to my accompanist to start playing, and then I looked out at the audience. That's when I lost it. There must have been 1000 people there. I promptly forgot all of the words and started looking around for my Mom. Ah, there she was. Noticing the abject look of terror on my face she smiled at me and started mouthing the words to me. My knees trembling, my whole body shaking, I sang every word that she mouthed to me. By the time I sat down I had decided that I was never going to sing again. However, on the way back to my mother, so many people told me that I did a good job that I decided maybe I would sing again. I believe in myself. I also believe that God is my Father and that Jesus Christ , who is my elder brother, is the Savior of the world.

$3.99 ≈ 3.72€

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